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Franco-Ontarians Lose Beloved Festival

Richard Cléroux by Richard Cléroux
View all articles from Richard Cléroux
Article online since August 14th 2008, 17:58
Read all 2 comments about this article / Comment on this article
Franco-Ontarians Lose Beloved Festival
l'Écho d'un Peuple
Franco-Ontarians Lose Beloved Festival
It came as a shock to the francophones of Eastern Ontario last Monday. Their beloved annual summer spectacle L’Écho d’un peuple went bust.
Just like that. Gone.

No more money. No more shows.

For the past five years in a farmer’s field near Casselman, Ontario about 40 minutes drive east of Ottawa, hundreds of volunteers in period costumes have staged a grandiose historical pageant of Hollywood proportions depicting the life and times of Canada’s Franco-Ontarian minority, all four centuries of it.

It had floats and fireworks, mock battles with Indians, even a replica of Samuel de Champlain’s ship carrying 19 actors powered along on a man-made canal.

There were 350 amateur actors wearing more than 1,200 costumes. Everybody was hired from surrounding farms and villages.

The two-hour spectacle included a re-enactment of two wars, great constitutional victories and court battles to save French-language schools, and the iconic Montfort hospital.

It was expensive -- $1.2 million a year – but it was worth it, they felt, to tell their moving story to the rest of Canada.

It was one way of proving wrong René Lévesque for calling them dead ducks.

The show drew up to 1,500 people a night and still struggled financially from year to year. This summer the audiences were down to 500 a night. It couldn’t last.

First there was competition from the big 400th anniversary show in Quebec City. How are you going to compete against that? And then the weather. It rained all summer. Who wants a wet night in the open air?

Then there was the price of gasoline. Who travels unless they have to? Half as many tourists came to the area this summer.

And then the script hasn’t changed in five years. How many times can you see Champlain strut his stuff. Youngsters loved the fighting and the fireworks and the adventure segments, and all the lights and the loud music.

But some people felt the script should have been changed. The organizers, all of them purists, said history was history. No tampering. You can’t replace Champlain with Paris Hilton just to bring in a crowd. Somebody should have told them ‘’Why don’t you try Paul McCartney?’’

Nor did they want to stage an English-language version. There are a million Anglophones in the Ottawa area. They might have learned something about their neighbors.

No, it had to be in French. Only in French!

The governments could have stepped in to save the show, but the sponsorship scandal did something to Stephen Harper’s generosity towards summer megashows. And don’t even mention the word sponsorship to Stéphane Dion.

The Ontario government had already tossed in $225,000 this year. You can’t ask for more.

So the show sank like a rock in the little creek. Champlain’s replica ship is still afloat, though. Plenty of schoolyards and playgrounds would love it.

As for Franco-Ontarians, they can always tell their grandchildren that for five summers they saw the greatest show that ever was in Eastern Ontario.

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Lee

Comment online since August 18th 2008
It is rather unfortunate to see an event such as this close, however I think you are on to something when you discuss the issue of language.

For instance, the franco-ontarien festival held in Ottawa ever year is about celebrating and sharing the French culture, about educating people. It is inclusive.

The event in Casseleman, because of the French-only stance is somewhat exclusionary and inaccessible to the majority of the potential market.

If you look at successful cultural festivals in the area, Turkish, Greek, franco-ontarien, Caribe-Expo and even Pride - they are all about sharing their culture. Educating and engaging others - not excluding them.

The organizers have missed an opportunity to tell their story and share their views with a large set of the population, an opportunity to promote understanding and goodwill.

Other festivals have disappeared only to re-emerge under new leadership. Maybe a new group of managers and volunteers can resurrect this festival with a broader appeal and more success.

Even the Quebec City celebration is bilingual.

Daniel Page

Comment online since August 17th 2008
I was a Pyrotechnician on the show. I, like most of the people involved, feel great sadness at the passing of the show. It was much more than just a show.

Besides being a vehicule for the history of the French in Canada in general and Ontario in particular, it was a catalyst that brought together people from all walks of life and all ages, to work on a common project. We had toddlers, children, teenagers, parents and grandparents in the show.

The show allowed people to discover new talents as actors, or skills as sound, light, or pyro technicians. It was a place where teenagers could spend the summer doing something positive, that helped them mature into beautiful, well adjusted young adults. Some now have budding singing or acting careers.

The people involved have all been changed deeply, and forever.

The economic fallout on the region was considerable, both from the money spent by the visitors, and from the the show itself, as most products and services needed were purchased in the region.

To address some of the author's comments:

True, the show was in French, but there was an English narration available via small radio sets handed out to English-speaking visitors.

The author makes it sound like the show was of amateurish quality. That was simply not the case. The show was written and designed by professionals. The volunteers were then put to work on realizing the designs.

The sound track was written and performed by extremely talented musicians and choirs and the result was magnificent.

Most of the operating expenses were for lights and sound systems. They were provided by a well-known Montreal company.

Every night, about 400 people were involved in producing the show, 99% of them, unpaid volunteers.

The people of the region put their heart and soul in this show. It garnered universal praise from critics who saw it. The social benefits this show generated are too numerous to mention.

We lost a lot more than just a show. And the population at large lost the opportunity to see something really different, on a grand scale, with the forest as a backdrop and the stars as a ceiling.


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